Executing seamless crescendos and diminuendos is one of the principal challenges an organist faces in symphonic repertoire. The fundamental problem with this technique is that it is antithetical to one of the main aspects of the organ: the unambiguous nature of the instrument. Stops are either on or off, pipes are either speaking or silent, and keys are either depressed or not. To subtly affect dynamic change with stop changes, one must find ways to deceive the ear and conceal additions and subtractions. This workshop will be devoted to demonstrating the tricks and techniques that go into this style of organ playing, including:

Use of the expressive divisions and swell boxes
The order in which one adds or subtracts stops
Using range, contour, meter, and texture to mask stop changes
Console management: pistons and manual changes
The differences between fast and slow crescendos/diminuendos